Kimber Carbon 16 Speaker Cable

$7,800.00

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Length: 3.0m

2.0m

3.0m

4.5m

Product variants

Carbon 16 Speaker Cable [Per Pair]

Kimber Carbon is quickly becoming Soundline's go-to loudspeaker cable for mid to high-end systems providing a large, open natural sound profile without being excessively bright or overly dark.

Quantity

Free Shipping for orders $500+

Specifications

Sixteen, 19.5AWG braided conductors

VariStrand pure copper conductors locked in place with carbon polymer and insulated with Teflon

OFE copper 102% IACS grade

Seamless braided transition to the right and left channels

Hand-built at the Kimber factory in the USA

Cables available in lengths from 1.0m – 3.0m

Kimber SBAN or WBT™ 0610CU Banana Connectors

Carbon’s key strength was its unshakable image stability—a centeredness to vocal and instrumental images that couldn’t be knocked off track.

The Absolute Sound

The revolutionary Carbon loudspeaker cable uses sixteen, VariStrand copper conductors which are held in place with a carbon-infused polymer and insulated with Teflon®. The loudspeaker cable consists of a single run of cable but uses Kimber's unique braiding technique of separating the channels at each end of the cable, maintaining the weave.

Carbon loudspeaker cable features sixteen, 19.5AWG braided conductors with a seamless braided transition to the + and - terminal for unmatched mechanical integrity and the utmost electrical naturality.

Carbon 16 was designed to be matched with full-range floor standing speakers and larger stand mounted monitors. Electrostatically dissipative carbon polymer reduces mechanically induced electrical noise and improves the uniformity of the voltage gradient within the insulating dielectric.

Carbon’s key strength was its unshakable image stability—a centeredness to vocal and instrumental images that couldn’t be knocked off track. This quality first showed itself on Harry Connick’s “A Nightingale Sang in Berkeley Square,” where the saxophone and acoustic bass duet was projected centerstage right and centerstage left with just the proper weight and scale. Rather than being depicted as paper-thin cutouts, the sax and bass had a dimensional component, a physical presence, that suggested they were actually displacing the air in the room.

Even if these cables didn't sound as mega-transparent as they do (but they do), they satisfy every other trait where one would expect a well-made cable in the area of looks, flexibility and attaining a secure connection. Recommended? You bet!